Tag Archive: Kiss of the Vampire (1963)


Link Dump, Early April

I don’t do this as often as I would like, but here are some more cool exploitation/B-movie/old horror movie posts I’ve enjoyed lately.   I enjoy reading other posts on films that I might like to cover in this blog, and calling out some quality posts on this end of the cinema pool seems a good way to keep interest going in these sorts of films. Also, I’ve recently discovered the “re-blog” feature here in WordPress, so fellow WP users who do fine posts will find their stuff re-blogged in my “Quick Takes” section at left.

First things first: Starburst informs us that the first three seasons of Airwolf–the only ones that matter are now on DVD! I loved this show back in the day, no Saturday night was complete without the family gathered around the tube watching more mid-80s Cold War hijinx ensue from a super-chopper run by some shadowy secret organization.  I had forgotten that star Jan-Michael Vincent, whose alcoholism got the better of his career, was also in Lassie and the Danger Island segment of “The Banana Splits Adventure Hour.”

Secondly, Midnight Cinephile takes on the incredibly odd Troma flick, Video Demons Do Psychotown (1989). Bottom line:

Essentially a murder mystery, combined with a haunted house story, combined with a tale of psychics and witches, combined with a slasher film, topped off with some possession undertones and a general sense of strangeness.

Looks like the good folks at Troma put this flick on YouTube in its entirety a while back when they did the same for a hundred-plus of their back catalog:

Thirdly, having just watched Witchfinder General (1968) not so long ago, I was very keen to see Church of Splatterday Saints review Mark of the Devil (1970), which cashes in on the success of the Vincent Price classic, but with more gory violence.  As much as I enjoyed Witchfinder, I think I expected more explicit violence from it–Mark of the Devil fills that niche nicely.

Also, check out this recent interview with Michael Armstrong, who directed Mark of the Devil:

Fourthly, the “animals-on-the-loose” ripoff of Jaws entry goes to Dogs (1976) (H/T Outpost Zeta), with David McCallum.

Fifthly, Horror-Movies.ca has a nice list of seven underrated apocalypse movies that you should check out. I love this list because some unexpected stuff–way outside conventional horror fare shows up. Click through to see the rationale for including these, but here are the trailers–I’ll be (re-) watching these soon.  While you’re at it, check out the first half of a profile of the great Mario Bava here.

The 1992 version of the "Plan 9 From Outer Space" video game

The 1992 version of the “Plan 9 From Outer Space” video game

Fifthly, Plan 9 From Outer Space (1959) will again be adapted as a video game. The first adaptation was about 20 years ago for Atari ST and Amiga.  I believe Plan 9 was the only one of Ed Wood’s movie to be adapted into both a video game and a porn flick (and oddly, within about a year of one another!)

Plan 9: The Porn! (1993)

Plan 9: The Porn! (1993)

Sixthly, Horrorpedia takes on a couple fun and schlocky flicks: Kiss of the Vampirethe 1963 version of Hammer’s Christopher Lee-less Dracula sequel and Fred Olen Ray’s Star Slammer (1989), featuring reclycled footage from two other must-sees: The Deadly Spawn (1983) and Battle Beyond the Stars (1980). Any re-uses of these gems must be epic.

Lastly, 3S Horror reviews another Troma masterpiece, Lust For Freedom (1987).  Pretty standard 80s women-in-prison fare, with a couple decent one-liners:

I’ve been knocked down and insulted. I’m hot and dirty. I’m calling it a day.

Cops were dying all over the place and all I could do was act like a woman. I knew my days as a cop were over.

I saw your girlfriend french kissing a donkey on the reservation.

More linkage coming in mid-April!

It’s time for another good-sized roundup of good movie reviews from the tweeps.  Love how you folks are keeping exploitation and B-movies in circulation.

With a good-sized H/T to Cultural Gutter, I saw this interesting post on TV criticism vs. TV recapping, among other things.  I liked it because it gives voice to what I’m trying to give birth to on this blog, in the context of exploitation and B-Movies, instead of scripted television dramas:

. . .  carving out a niche for long-form pieces that look beyond the pluses and minuses of a single episode to examine its greater potential and its place in the culture . . .

I’ve been trying to figure ways to take my movie blog that you’re reading now beyond recapping and reviewing individual films, which does seem to me to be the dominant mode of the cinema blogosphere.  Giving as much as I can about the backstory of a film’s making, information sometimes captured in book-length pieces, or trapped in the academic community seems one good way to get there.  Another seems to be the looking into period press, much of which is is not online, to give some idea of how these films I cover were received as they came out seems like a fruitful avenue.  I’ve some other ideas too, which are not ready for prime time yet, but suffice it to say I was glad to see the idea of moving beyond single-film perspectives in the above post.

This last one reminds me of a side-project I just might get going, doing a “movie-of-the-day” about Jaws-rip-offs of various kinds of animals attacking people. If this furlough keeps going, you never know what can happen!

  • Over at Forgotten Films we get some good posts on a variety of fun flicks, a couple of which should be seen annually, I think: Blackenstein (1973) was part of the early-to-mid 1970s blaxploitation series remaking classic horror icons, other examples being the William Marshall vehicles Blacula and Abby (remaking The Exorcist). FF also talks Grizzly (1976), another of the aforementioned Jaws rips; The Awakening (1980) a snoozer in which yet another ancient Egyptian queen comes back to life, this time with no thanks to Charlton Heston’s and Stephanie Zimbalist’s overwrought acting.  Lastly, we get one of two takes this week of my own guilty pleasure, Zombie Lake (1981), about zombie Nazis.  Or Nazis, who happen to be zombies.  Or whatever.  Also, check out Midnight Triple Feature’s separate review of Zombie Lake.

Starring Barbara Steele, who I recently saw in Piranha 18 years after this one, still messing shit up, this time, and yet again, with the wildlife eating people!

Car

Co-starring Sandor Elès, whose death anniversary was a month or so ago.

  • Lost Highway was three fun ones this time: Pieces (1983), a self-explanatory classic slasher ripoff of the irreplaceable Texas Chainsaw Massacre (1974); Night Tide (1961) in which young Dennis Hopper falls in love with a woman who may or may not be a mermaid; and Journey to the Seventh Planet (1961), classic B-sci-fi about visiting Uranus.  My tweeps are pretty monster/slasher horror-focused, so seeing some good old fashioned sci-fi/horror here in the bunch is nice and refreshing.
  • The positively essential Creature From the Black Lagoon (1954) gets a new review, courtesy of Church of Splatter-Day Saints, not only did this flick introduce the facehugging monster that Alien gets all the credit foe later, but this film helped revive Universal Studios’ flagging fortunes by introducing new possibilities for monster movies when the genre had all but run its course in the mid-1950s.

Lastly, I’ll conclude this post with a fun link over to The Hollywood Reporter and their interviews with all concerned with the making of Evil Dead 2.  “We were like ‘Jackass’ with a plot”!  Enjoy!