Tag Archive: Cultural Gutter


What film is this from? Tune in next week...

What film is this from? Tune in next week…

A roundup of what I’ve watched, read or listened to lately:

  • Projection Booth #144 on “The Brain That Wouldn’t Die” (1962). I loved the part of the episode that one commenter dismissed as “psychobabble” about this film being a reflection of the male Id of that era, how the legacy of Nazi physician Joseph Mengele is portrayed on film, the subgenre of “disembodied head/brain/brain-in-a-pan” films, etc.

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  • Also from the episode we learn that both Brain and Debbie Does Dallas both have musical theater adaptations!

  • Lastly, here are the trailers for the best films I saw in September, in no particular order:

Covered on episode 6 of 1951 Down Place.

Will be covered on a future episode of Badasses, Boobs, and Body Counts–I suggested it as part of “listener appreciation month,” and Mike and Iris took the suggestion. However, Mike says its the one film for the BB&BC listener appreciation month he’s not looking forward to… I suspect we’ll be agreeing to disagree about this classic.

Linkage: September 2014 Edition

Several good posts to make sure you catch this month, from the usual suspects of good B-exploitation-horror writers. Enjoy!

If you’re into bad cinema, watching Robo Vampire is a mystical experience.

  • The Church of Splatter Day Saints, one of my favorite blogs out there, recently announced their return to active blogging after taking some time off to build a spiffy new site. Looks great and is worth your time.
  • Cult Movie Reviews gives a quick review of a fun little Ichiro Honda film, Battle in Outer Space (1959).

  • Red Letter Media interviews Samurai Cop himself, Matt Hannon, who is very much alive, in two parts:

Shaft Comic

LSD

 

Lastly, Brutal As Hell has a must-read two-parter: Lovely Sort of Death: A Brief History of LSD in Cinema (part 1; part 2)

 

It’s time for another good-sized roundup of good movie reviews from the tweeps.  Love how you folks are keeping exploitation and B-movies in circulation.

With a good-sized H/T to Cultural Gutter, I saw this interesting post on TV criticism vs. TV recapping, among other things.  I liked it because it gives voice to what I’m trying to give birth to on this blog, in the context of exploitation and B-Movies, instead of scripted television dramas:

. . .  carving out a niche for long-form pieces that look beyond the pluses and minuses of a single episode to examine its greater potential and its place in the culture . . .

I’ve been trying to figure ways to take my movie blog that you’re reading now beyond recapping and reviewing individual films, which does seem to me to be the dominant mode of the cinema blogosphere.  Giving as much as I can about the backstory of a film’s making, information sometimes captured in book-length pieces, or trapped in the academic community seems one good way to get there.  Another seems to be the looking into period press, much of which is is not online, to give some idea of how these films I cover were received as they came out seems like a fruitful avenue.  I’ve some other ideas too, which are not ready for prime time yet, but suffice it to say I was glad to see the idea of moving beyond single-film perspectives in the above post.

This last one reminds me of a side-project I just might get going, doing a “movie-of-the-day” about Jaws-rip-offs of various kinds of animals attacking people. If this furlough keeps going, you never know what can happen!

  • Over at Forgotten Films we get some good posts on a variety of fun flicks, a couple of which should be seen annually, I think: Blackenstein (1973) was part of the early-to-mid 1970s blaxploitation series remaking classic horror icons, other examples being the William Marshall vehicles Blacula and Abby (remaking The Exorcist). FF also talks Grizzly (1976), another of the aforementioned Jaws rips; The Awakening (1980) a snoozer in which yet another ancient Egyptian queen comes back to life, this time with no thanks to Charlton Heston’s and Stephanie Zimbalist’s overwrought acting.  Lastly, we get one of two takes this week of my own guilty pleasure, Zombie Lake (1981), about zombie Nazis.  Or Nazis, who happen to be zombies.  Or whatever.  Also, check out Midnight Triple Feature’s separate review of Zombie Lake.

Starring Barbara Steele, who I recently saw in Piranha 18 years after this one, still messing shit up, this time, and yet again, with the wildlife eating people!

Car

Co-starring Sandor Elès, whose death anniversary was a month or so ago.

  • Lost Highway was three fun ones this time: Pieces (1983), a self-explanatory classic slasher ripoff of the irreplaceable Texas Chainsaw Massacre (1974); Night Tide (1961) in which young Dennis Hopper falls in love with a woman who may or may not be a mermaid; and Journey to the Seventh Planet (1961), classic B-sci-fi about visiting Uranus.  My tweeps are pretty monster/slasher horror-focused, so seeing some good old fashioned sci-fi/horror here in the bunch is nice and refreshing.
  • The positively essential Creature From the Black Lagoon (1954) gets a new review, courtesy of Church of Splatter-Day Saints, not only did this flick introduce the facehugging monster that Alien gets all the credit foe later, but this film helped revive Universal Studios’ flagging fortunes by introducing new possibilities for monster movies when the genre had all but run its course in the mid-1950s.

Lastly, I’ll conclude this post with a fun link over to The Hollywood Reporter and their interviews with all concerned with the making of Evil Dead 2.  “We were like ‘Jackass’ with a plot”!  Enjoy!